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‘Not so Good Vibrations’: Five collaborative autoethnographic accounts of Brian Wilson, his life, music, rock ‘n’ recovery’
Journal article   Open access   Peer reviewed

‘Not so Good Vibrations’: Five collaborative autoethnographic accounts of Brian Wilson, his life, music, rock ‘n’ recovery’

Patrick Hopkinson, Maks Niklasson, Peter Bryngelsson, Andrew Voyce and Jerome Carson
Mental Health and Social Inclusion, Vol.27(4), pp.430-446
01/12/2023

Abstract

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The purpose of this paper is to provide an analysis of the life of the musician Brian Wilson from five different perspectives. The authors used a mixed method of collaborative autoethnography, psychobiography and digital team ethnography to try and better understand the life and contributions of Brian Wilson. Each of the five contributors provides different insights into the life and music of Brian Wilson. While the focus of this paper is on a single individual, a case study, the long and distinguished life of Brian Wilson provides much material for discussion and theorising. Each individual presenting to mental health services has a complex biography. The five different contributions articulated in this paper, could perhaps be taken as similar to the range of professional opinions seen in mental health teams, with each focussing on unique but overlapping aspects of the person’s story. This account shows the importance of taking a biological-psychological-social-spiritual and cultural perspective on mental illness. This multi-layered analysis brings a range of perspectives to bear on the life and achievements of Brian Wilson, from developmental, musical, psychological, and lived experience standpoints.
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