This paper examines how undergraduate design students develop cultural sensitivity through a live brief by the Illegal Money Lending Team (IMLT), focusing on global-local tensions in their responses. While prior studies address global-local dynamics, few explore intercultural pedagogy in UK live briefs. Using intercultural communication frameworks, the research highlights the importance of primary research, cross-cultural collaboration, and clear learning outcomes, advocating for stronger cultural fluency integration to better prepare students for inclusive global practice.
- Effective Visual Communication in Higher Education: Intercultural and Cross-Cultural Design
- Samantha Williams - University of Greater Manchester, Art, Design and MediaRebecca Harris - University of Greater Manchester, Art, Design and MediaCarol Allison - University of Greater Manchester, Art, Design and Media
- The International journal of art & design education, Vol.45(2), pp.492-508
- Wiley
- Jenkinson Award, JA25/011, University of Greater Manchester
- 9953083908841; 1476-8062; 1476-8070; 1476-8070
- © 2025 The Author(s). International Journal of Art & Design Education published by National Society for Education in Art and Design and John Wiley & Sons Ltd. This is an open access article under the terms of the Creative Commons Attribution License, which permits use, distribution and reproduction in any medium, provided the original work is properly cited.
- Art, Design and Media
- English
- Journal article
- 14/10/2025
- 26/09/2025