Abstract
All-in wrestling was established as a spectator sport in the 1930s and appealed primarily to a working-class audience. All-in was controversial because of its excessive violence and its blend of the spectacular and dramatic with sport, which led to accusations that it was not really a sport. Nevertheless, it retained many characteristics of sport, and audiences consumed it as such. All-in wrestling was an outcome of the evolution of a traditional ancient sport into a commercial entertainment and represented an extreme conflation of sport and drama. Using records of All-in wrestling in the Mass Observation Archive, this paper explores the ways in which audiences negotiated the tensions between sport and spectacle.